Friday, December 30, 2011

View From the Phlipside Radio - The Dumbest Story of 2011 (and 2012)!

My name is Jay Phillippi and I've spent my life in and around the media.  TV, radio, the movies and more.  I love them, and I hate them and I always have an opinion.  Call this the View from the Phlipside.

End of the year and I like to take a look back at the topics that we’ve talked about here.  This year I thought I’d do a best, worst and dumbest ideas of the year.  These are topics that bubbled to the surface this year that will carry forward into 2012.  This time let’s take a look at my dumbest topic nominee.

This one could have gone for the worst idea but I think it falls just short.  It’s just a dumb idea that some folks just won’t let go on.  It’s 3-D.  Every couple decades we have another resurgence of the attempt to create a three dimensional visual image for the big screen.  This time it’s also lapped over onto the small screen.  I need to acknowledge that I came to this latest attempt at 3-D with a negative attitude.  I’ve seen too many attempts in the past that never tried to get beyond the gimmick aspect of it.  What one friend of mine has described as the “jumpy outty parts”.  Beyond that you still have to deal with those dumb glasses which are an even bigger problem for those of us who wear presription glasses.

When Avatar came out in 3-D I thought we’d finally gotten over the hump.  Avatar gave us a reason for 3-D, it made the story better.  It was visually stunning.  The problem is that NONE of the movies I’ve seen since in 3-D meet the standard.  Even without jumpy-outty parts the 3-D adds nothing.  It’s still just a gimmick.
And then we talk about TV.  What a complete and utter non-starter of an idea.  Television is too deeply set in the American way of life.  So making it more complicated is just a bad idea.  Add in the dumb glasses some of which apparently need batteries and I just end up shaking my head.  When they start talking about putting major sporting events in 3-D then I’m totally confused.  So I’m either supposed to have enough TV glasses for everyone at my Super Bowl party or do I only invite folks who own them?  Just dumb.  And headed for the dustbin is my bet.

Here’s to the New Year.  Which will be just fine in 2D thank you.

Call that the View From the Phlipside

Thursday, December 29, 2011

View From the Phlipside Radio - The Worst Story of 2011 (and 2012)!

My name is Jay Phillippi and I've spent my life in and around the media.  TV, radio, the movies and more.  I love them, and I hate them and I always have an opinion.  Call this the View from the Phlipside.

End of the year and I like to take a look back at the topics that we’ve talked about here.  This year I thought I’d do a best, worst and dumbest ideas of the year.  These are topics that bubbled to the surface this year that will carry forward into 2012.  This time let’s take a look at my worst topic nominee.

I have to admit that I bounced back and forth between my candidates for worst topic and dumbest topic.  I could argue for either one in either category.  In the end I chose the one that I think is the more serious issue to be name worst topic.  And it’s one that for many of us only bubbled up in the last couple months.  That’s the Stop Online Piracy Act or SOPA, a piece of legislation that will be considered by our Congress in January of this coming year.

In my initial piece of SOPA I noted that I have no particular problem with the underlying concept.  Online piracy is a real problem.  Creators of content whether it’s music or writing or video or any of the other items that are being pirated have a right to control what they control.  And to choose to try and make a profit from it if they want.  The idea that the consumer should be able to get whatever they want for free is childish and a great way to insure that fewer creators will spend the time to make the really good stuff.

But even a casual reading of the SOPA legislation shows that it’s just badly constructed.  For example if I put a link to some copywritten content.  Not the actual content, just a link.  Under SOPA I can be charged with a felony.  A felony.  I haven’t taken anything or given it away.  It could just be a link to a photograph or video that I didn’t even realize was being illegally copied.  Doesn’t matter.  The Phlipside is looking at being shut down online and charged with a felony.

Too many of the old media want Congress to hand them a legal hammer to allow them censorship rights far beyond what they need to protect their legitimate rights.  And that’s not just a bad idea.  I think it’s the worst idea of 2011 that’s headed into 2012.

Here’s to the New Year.  Let’s do it without SOPA.

Call that the View From the Phlipside

Wednesday, December 28, 2011

View From the Phlipside Radio - The Top Story of 2011 (and 2012)!

My name is Jay Phillippi and I've spent my life in and around the media.  TV, radio, the movies and more.  I love them, and I hate them and I always have an opinion.  Call this the View from the Phlipside.

End of the year and I like to take a look back at the topics that we’ve talked about here.  This year I thought I’d do a best, worst and dumbest ideas of the year.  These are topics that bubbled to the surface this year that will carry forward into 2012.  This time let’s take a look at my best topic nominee.

Of all the topics I looked at this year the one that I think will have the biggest impact in 2012 will be mobile computing.  This is something that got a lot of discussion throughout the media world this past year.  Smartphones have been coming on for several years but the number of people who were doing significant percentages of their online computing through devices like them really began to sky rocket this year.  But I think that smartphone mobile computing is only the surface of the changes that are coming our way.

The iPad made a huge impact when it was introduced just two years ago.  The long sought tablet computer finally had a successful well designed version out there.  But I think the iPad won’t remain the core of this market or the mobile computing movement.  And the reason is simple.  The iPad is simply too much.  Too much when it comes to capability and too much in the price tag.  There has been a huge movement towards simpler and significantly less expensive tablet computers.  I know that even my own Nook Color which isn’t really a tablet at all meets my primary needs for quick internet contact.  When you look at devices like the Kindle Fire, the Nook Tablet which offer all the primary functions most people need at well under $300 then even the lower cost iPad competitor tablet computers become less imperative for purchase.  And if the movement toward sub $100 tablet computers takes off then iPad and the other high end tablets become much more in the line of speciality items.

Small computers that are easier to carry, that give us the versatility of smartphone apps and all at prices that the vast majority of the market can easily afford will be a game changer.  Just the way the personal computer was 20-30 years ago.  And that would be a very good idea for 2012.

Here’s to the New Year.

Call that the View From the Phlipside

Tuesday, December 27, 2011

Last movies of 2011

Shanghai Knights - (2003) Sigh.  I tried.  Knowing full well that one must NEVER over think any movie where Owen Wilson stars I figured I'd sit back and enjoy some light hearted silliness.  My real hope was that Jackie Chan, an actor I really enjoy, would make up for Wilson.  It wasn't to be.  Just mindless and stupid and pointless with no particularly appealing characters.  Wilson character is completely anachronistic in dialogue and the soundtrack makes no sense whatsoever.  As the approach Buckingham Palace they're playing "Winchester Cathedral".  Seriously?
Rating - unless you're capable of completely shutting down you higher brain functions - Forget it.

Leatherheads (2008) - George Clooney takes a shot at a screwball comedy and comes up just short.  Not sure I buy the chemistry between he and Renee Zellweger and the dialogue doesn't quite crackle the way it should.  Not a great movie about the earliest days of pro football.  Movie was a box office bomb but I'd say it was worth a look on a lazy afternoon with nothing better to do.

The Bucket List - (2007) -Take Jack Nicholson and Morgan Freeman as your stars with Rob Reiner behind the camera and you're fairly assured of getting something fun to watch.  The two veteran actors play men dying of cancer who decide to live it up during their last months.  Freeman's character has the dreams and Nicholson's has the cash.  It's a strange and slightly silly buddy picture.  In the end it's the chemistry between the actors that pulls it off.  Definitely see.

American Beauty -(1999) - What's the song from Sesame Street?  One of these things is not like the others, one of these things is not the same.  This is the story of a middle aged man whose mid-life crisis is a sexual obsession with a teen age friend of his daughter.  Kevin Spacey takes you to someplace that is especially uncomfortable for those of us who work with youth.  His obsession will tqke him right to the edge of an unforgivable decision.  Meanwhile the rest of the world is collapsing around him.  I'm a huge Spacey fan.  At the same time I can't say I "enjoyed" the movie.  It's very good.  Call it worth a look but be forewarned.

I Spy - (2002) -  Stopped watching this box office stinker 45 minutes in.  Owen Wilson as a secret agent?  I knew in the first five minutes this movie had no chance.  They open the action in Uzbekistan, except that it's obvious all the scenes with Wilson in it are done in studio.  And I mean OBVIOUS.  Awful.  Don't waste your time unless you're a drooling Wilson fanboy/girl.

Clearly I need to clean out my Netflix queue and get a better crop of movies lined up for the new year.  Top of the list now is Cinema Paradiso, Hereafter and The Man Who Knew Too Much.  Gotta be better than some of what I've been watching.  No more Owen Wilson vehicles certainly.

Saturday, December 24, 2011

Books - Two winners and a legend

Some longer books so the list isn't quite as long this week.

The Best of John W. Campbell - If you're a student of the so-called Golden Age of Science Fiction then you've come across the name of John Campbell.  Campbell was a popular writer in his own right at the beginning of his career.  But it was when he moved on the become the editor and visionary for   Astounding magazine that his real influence on the genre began.  Campbell was an active supporter of what he viewed as the best young writers.  Names like Asimov, Heinlein, Van Vogt, Sturgeon and many, many others from the Golden Age of Science Fiction.  Later in life Campbell became an ever more divisive character.  But his influence during the acme of Astounding can not be diminished.  I have to admit that about half these stories leave me completely cold.  The writing style of the '20's I find very hard to get into as a reader.  As you move along however they get better and better.  At the very end you get "Who Goes There" which is the basis for the classic movie "The Thing From Another Planet" (commonly referred to simply as The Thing which is what several re-makes have been titled).  The story is enthralling and nearly makes up for the earlier, dated material.
Rating - *** (Worth a Read)

Voices of the Dead - Peter Leonard (The Story Plant) - The author is the son of mystery icon Elmore Leonard and this apple hasn't fallen far from the tree.  That probably tells you everything you really need to know about this book.  It's good.  Damn good. Set in 1971 a Holocaust survivor is told that his beloved daughter was killed in a car crash.  What he discovers drags him back to Germany during the war and brings him face to face with the man who devastated his life twice.  It's a story that won't let you go from a writer that has truly found his stride.  Father Leonard writes the introduction to this book which is set to hit the shelves in mid-January.  Put it on your "To Be Read" List for 2011
Rating - **** (Recommended Read)

Trigger Point by Matthew Glass (Grove/Atlantic) - Imagine that the last several year's worth of financial headlines crashed headlong into the Cuban Missile Crisis and you have Trigger Point.  This book will make the hair stand up on the back of your neck because it is all so possible.  In fact it begins to feel all too likely after a while.  A minor military manuever combines with some clever stock manipulations to bring the entire world to edge of financial ruin and the United States and China to the brink of World War III.  This is the kind of book that will keep you up into the wee hours of the morning because you can't put it down.  Due out in early March.
Rating - **** (Recommended Read)

Sunday, December 11, 2011

Concert Review - Mannheim Steamroller

I've been a fan on Mannheim Steamroller (MS) for something close to two decades now.  Their Christmas music is always part of our family Christmas season.  So I was really excited when tickets fell into our laps to see them at Shea's in Buffalo a week ago.

The first thing we knew we had to do was be fair and not compare them to our other favorite Christmas music show, Trans-Siberian Orchestra (TSO).  TSO does an arena show with massive production values while MS does a smaller theater show.  Different shows and different expectations.

So let me say first the music was awesome.  As always.  Sadly there were several items that detracted from our enjoyment:
  • A general lack of showmanship.  It was a lot like watching a really great studio band working in the studio.  The music was great but that was about it.  We never got a feel for the performers, there was virtually no interaction with the audience and what there was stiff and felt scripted.  Plus there were smaller weird things (their "connection" with New York- let alone WNY- was that the bass player allegedly went to Woodstock.  Which is no where near here.  And a lame line).  Just a show with zero personality.  (EDIT - someone who was also at the show that day reminds me that they also talked about having been to Chautauqua and studying at Eastman in Rochester.  Absolutely true.  My memory says they kind of rushed through these too.  Quick obligatory nod rather than an attempt to connect with the audience to me)
  • They made extensive use of videos to go along with the music.  Great idea.  Be even better if the videos weren't so obviously 10-20 years old.  I seem to remember several of them from the old MS VHS tapes we got as promo materials at the radio station.  And I haven't worked there in over a decade so these are old.  Maybe the old line fans are "comfortable" with them but the whole shown was just a little too comfortable I thought.  Did not impress the 24 year old with us.  A big yawn from her on the videos too.
  • They closed with a silly and self congratulatory video that was basically reading their own reviews in video form.  The shows they've been on, the parades they've been in.  The effect was rather sad and pathetic.  Want to say thank you to your fans maybe?  Stop talking about yourself.  Left me with a really bad taste in my mouth.
So here's the bottom line - when we leave a TSO show you can't wait till they come back next year.  After Mannheim Steamroller it was more "Been there, done that, won't be going back".  And that's too bad.  Chip Davis needs to take a look at his pet project and decide if he's OK with it sliding slowly into performance senescence or if he really wants to keep being the #1 Christmas tour.

Friday, December 9, 2011

Movie reviews

Best Worst Movie (2009) - I don't know if I saw this movie in the proper order.  Should I have actually seen Trolls 2, the current front runner in the "Worst Movie of All Time" derby and the subject of this documentary, or should I see this first and THEN watch Troll 2?  I'll never know because you have to go one way or the other and I went this way.  The documentary is done by Michael Stephenson who played the son in the 1989 film.  The movie is "Plan 9 From Outer Space" bad and still to this day the actors don't quite know what to do with the experience.  It's fascinating to watch them get their moment in the spotlight as the movie suddenly becomes a cult favorite.  At the same time it struck me as a terribly sad movie.  The documentary focuses on Dr. George Hardy, an Alabama dentist who becomes the Capt. Kirk figure in this cult.  He and several other cast members get to hear the screaming fans but also experience the ignominy of sitting at a fan convention where you are utterly ignored.  The stories of several of the rest of the cast are equally sad.  The actress who played the mom now trapped in her own home and pretty clearly her own neuroses.  One actor who was actually on a day leave from a psychiatric hospital during filming.  Another who lives utterly alone in retirement apparently without friend or family at the end of his life.  And finally the director of the original movie Italian movie maker Claudio Fragasso, a man trapped by his belief that Troll 2 is in fact an important and well made movie.  (Even the title is a fraud.  There WAS a Troll but it has NOTHING to do with Troll 2 which basically just stole the title for marketing purposes.  There aren't even any trolls in the movie!).  The actors seem like nice people to whom something strange and slightly disturbing has happened.  It's a fascinating story.  And I have Troll 2 up next in my movie queue.

Trolls 2 - (1990) - Wow.  I mean...wow.  That's a bad movie.  It's the story of a family who takes a vacation in a small town in the middle of nowhere.  The little town of Nilbog looks nice enough in a kind of creepy Stepford kind of way (except without women.  There appear to be a total of three women in the whole town).  What they discover is that Nilbog is the home of goblins (what's nilbog spelled backwards?  Yeah that's the level of sophistication of the script).  Ugly evil little monsters who turn humans into vegetables so they can eat them.  They're vegetarians don't you know.  Add in a creepy ghost of Grandpa (who sounds a lot like Burl Ives which makes him all the creepier) and a goblin queen who is just freaky and you're off and running.  Oh and don't forget the corn porn scene.  Can't do it justice you have to see it to believe it.  So is this the "Worst Movie Ever"?  Sorry can't go there.  It's a BAD movie.  It's an AWFUL movie without a doubt.  The script is horrible and the acting is worse.  It's filled with so wretched they're hysterical bits of dialogue and illogical just about everything.  Badly directed, written and acted.  So why isn't it the worst of all time?  Because the photography shows burst of both professionalism and creativity.  This is more a "trying for the campiness of Rocky Horror and failed" than the supreme low budget awfulness of the defending champion of all that is bad "Plan 9 From Outer Space".  It lacks those moments of inspired badness like the chase through the graveyard in Plan 9 where the clearly cardboard head stones wave in the breeze of a passing actor.  The closest Trolls 2 comes is when Creepy Grandpa Seth says "We only have 10 minutes.  When that clock strikes 6 I'll gone for good this time".  Cut to the clock which clearly reads 5:55.  Plan 9 is filled with those massively bad moments.  Trolls 2 just comes up short.  But it is certainly in the top 3 I'd say.

Note: I'd actually recommend watching the movies in the order I did.  You'll have a much better appreciation of what you're watching.

Rounders - (1998) This is a really good movie that gives you a little look into the mind of the serious card player.  For these folks it's not "gambling" it's their job and a way of life.  The cast for this one is an absolute stunner - Matt Damon, Edward Norton, John Malkovich, Gretchen Mol, and Martin Landau.  The script is tight and the characters are good.  If you have no interest in No Limits Texas Hold 'em Poker you might not be interested.  I'd say give it a shot, the characters and the interplay especially between Damon and Norton make the card playing just a background.  A background against which an amazing story is played.  Highly recommended.

Despicable Me - (2010) Had a couple spare minutes and this looked like it would be fun.  Turns out I was right.  Let's be honest, the real stars of this movie are the three little girls and the Minions.  Gru, Vector and Dr. Nefario are all fun but strictly straight men for the stars.  Fun movie, some quotable lines.  What more do you really need for this kind of movie?  Recommended.

Two movies that I will admit I have only seen parts of:

Dinner For Schmucks - (2010) I was absolutely prepared to hate this movie.  It looked to be a classic "moron humor" movie for which I bear no affection at all.  I must admit that I went back to try and catch the parts I had missed (I've seen about 50% of the movie at this point) because it turned out to be more engaging than I thought.  This movie, MUCH to my surprise, actually has a heart.  And it's rather endearing and funny.  Took me totally by surprise.  Not saying it's a great movie.  But certainly worth a look.  Recommended.


Scott Pilgrim vs The World - (2010) I decided to give this movie a shot.  Not because I had any real hope that I'd like it but because I really liked Michael Cera in "Juno".  This movie isn't Juno, not by a long shot.  The movie is based on a graphic novel series and to be honest should have stayed there.  It's basically a one joke movie and it gets old fast.  The sudden lurches between a realistic world and the comic book world are disconcerting away from the print medium.  I figured I was just "too old to get it" until I looked at the box office.  Pretty much every one other than diehard fans stayed away from this one.  Good call.  Don't waste your time.

Thursday, December 8, 2011

View From the Phlipside Radio - Media Failures

My name is Jay Phillippi and I've spent my life in and around the media.  TV, radio, the movies and more.  I love them, and I hate them and I always have an opinion.  Call this the View from the Phlipside.

When I got started in the media about 30 years ago if you were a public figure you only had to deal with three media, print, radio and TV.  And in form they were actually all pretty similar.  Radio reporting had been formed by print reporters and TV reporting had been based on the radio standards.  So it was pretty simple really.  Plans for dealing with the media were pretty straight forward.

That stopped being the case back in the Watergate days.  Since then public figures and politicians have had to rely ever more on media specialists.  With the explosion of new media in the last decade it’s become even more important.  Which why two recent media meltdowns just leave me shaking my head.

Start with Kansas governor Sam Brownback.  He made an appearance in front of a high school group and one 18 year old girl wasn’t impressed.  She tweeted her thoughts, uncomplimentary thoughts, about the Govenor.  To her 65 followers.  At which point Brownback’s media team turned an insignificant issue into a medium sized disaster.  In the end the Governor ended up apologizing to the young lady.  All because the “media experts” lost any sense of proportion.

At the other end you have former Republican presidential candidate Herman Cain.  Cain’s suspension of his campaign has much less to do with whether or not his ideas were good than they do with the fact that the Cain campaign handled the media about as badly as it’s possible to do.  Bizarre campaign videos and videos of a chronically under prepared candidate left the campaign with a huge added hurdle to overcome.  Even in the speech announcing leaving the race Cain chose to rather bizarrely quote music from a Pokemon movie.  If you’re 66 years old and trying to be taken seriously  for the most powerful job in the world you need to avoid quoting children’s cartoons.

Good media teams should be there to help out.  Then of course you also have to listen to them.  Plenty of blame to pass around these days.

Call that the View From the Phlipside

Wednesday, December 7, 2011

View From the Phlipside Radio - TV Commercial Radio

My name is Jay Phillippi and I've spent my life in and around the media.  TV, radio, the movies and more.  I love them, and I hate them and I always have an opinion.  Call this the View from the Phlipside.

I suppose it was inevitable.  In a day and age where folks are constantly looking for a new niche, just that little edge that will give them the jump on the competition you’re always looking for what the audience likes.  So a music station dedicated to the music that you hear in TV commercials probably shouldn’t come as a great surprise.

And yet my bet is that your first reaction was similar to mine.  Which was “Come on, really?”.  Then I thought about it.  Music has always played an important part of advertising on both radio and TV.  I’m sure that you like me can finish dozens of jingles that we grew up listening to.  Now add in that over the last, what, two decades more and more TV advertising has used actual songs from both popular and unknown groups.  Hey, CBS’s franchise CSI has made a whole thing out of using the music of The Who as their theme music.  How many times have you been listening to a TV ad and thought “Who is that” with the music?  How about the Kia hamster ads with the Black Sheep saying “You can deal this or you can do with that?”

So there IS a market for the concept.  And now there’s is an outlet for the concept as well.  Slacker Radio which is an online customizable music service in the vein of Pandora or Spotify now offers TV Commercials Radio.  Currently the playlist is 175 songs which puts it at about the same number as a classic Top 40 station (there’s a reason why it seems the same song is always airing at those stations).  As more music gets put into TV ads the library will continue to expand.  The hottest times for usage of the station is, not surprisingly, the holidays and the Super Bowl.  As a former radio music director I thought the rationale behind the station was interesting.  Slacker officials say that commercial music supervisors are a more reliable ear for great music than most traditional sources like radio play.  My initial reaction was a bit of professional pique.  Then I thought about the times we’d take a flyer on a borderline tune.  Something that no one investing millions of dollars on an ad campaign would ever think of doing.  Hard to argue with the logic.

So maybe I’ll tune into to Slacker and see how many of the tunes I can connect with their ads.  A whole new way to waste time.  Cool.

Call that the View From the Phlipside

On anonymous opinions

In the latest issue of the local alternative newspaper "The Chautauqua Region Word" (online edition HERE) there is an opinion piece (known as The Say.  Top of page 3) where the writer uses a pseudonym.  Given that the opinions expressed about the state of the local funding bodies for the arts are aggressive and confrontational it is not really surprising that the writer would have reservations about using his/her own name.  This is acknowledged in the author information at the end where it's stated:
This piece is anonymous because it is guaranteed there would be retaliation and, in fact,
anonymity probably won’t stop a witch hunt
Some people have taken exception to this anonymity as an unacceptable act.  Of course there is a long tradition of doing this when uncomfortable things need to be said or if there was real danger to the person placing those ideas in the public arena.  Kudos to the author here for showing a knowledge of history in choosing the name Publius.  It is drawn from the Roman Consul Publius Valerius Publicola.  The last part of the consul's name translates as "Friend of the People".  This Publius was one of the leaders who helped to found the Roman Republic.  It was in honor of that history that Alexander Hamilton, James Madison and John Jay chose it as their pseudonym as the authors of  "The Federalist" (more commonly known as The Federalist Papers).  While the choice is an appropriate historical nod I think our local Publius perhaps over reaches him/herself in comparing their situation with the historical predecessors.

Publius (Jamestown's, and the one I will be referring to henceforth) claims to have an extensive background in the non-profit sector and the arts.  I will stipulate their experience and note that I have nothing to compare in those spheres.  Yet I would bet that most of the readers of the original piece fall far closer to my level of experience than his/hers.  So let me examine the arguments from my own point of experience. Right off the bat I see a problem that will recur later in the piece.  Publius makes claims about the local foundations but never offers a foundation for those claims.  We must simply take his/her word that there is a sweeping movement of  "micromanagement and outright blackmail" or that there is:

"... a cabal of two or three people, networking behind ritzy doors, decides what is or isn’t worthwhile. "

For me there is a flavor of flinging things against the wall to see what sticks about this approach.  Granted that in the length of an opinion piece offering examples for everything isn't reasonable but certainly we might expect at least one.

Moving on we discover that Publius dislikes the concept of "consolidation" that has been put forward by some of the foundations.  Curiously Publius  later in the piece acknowledges that the program managers of the arts programs appreciate expert advice.  Might it not be that the Executive Directors may simply be offering exactly that?  (Publius falls into the trap of using insider jargon at this point when he/she refers to EDs rather than Executive Directors. At least it is to be assumed that is what is being referred to here and not the scourge of middle aged men.)  The foundations should be taking a larger view of the local scene it seems to me.  In that larger view they may see  overlap and repetition in programs.  There are only so many dollars available so decisions must be made.  Two small programs may not offer the most effective approach to the intended goals and audiences where one larger one might.  In such a case consolidation would be the advisable course, would it not?

Collusion is the next charge.  Publius notes that he/she is on slightly difficult terrain with this argument.  In a small community it is not only likely but needful that the local Executive Directors spend some time consulting with one another.  Publius seems to leap to the conclusion that since they (apparently) are not behaving in the manner that he/she would have them behave "consultation" has become "collusion".  Again an argument without support.

It is at this point that Publius takes the most unfortunate line in the presentation.  Suddenly the people who serve on the boards of these foundations or who donate to them find themselves dismissed as "Country Club" members and "...rich white people..." with no understanding of art unless it is the art of the past.  Publius offers a brief account of a personal experience of such people.  I will allow Publius to speak for him/herself here:
"A while ago I was at an event that was a big fundraiser for a local art group. One of the wealthy people invited launched the wondrous bon mot, to a cocktail party-sized room, commenting on “poor people.”  There was a genteel laughter to it all, layered with
elitism and privilege."
The problem here is this - what precisely was said about "poor people"?  Does Publius not believe that poor people exist?  Or that they should simply not be referred to in that manner?  If the person went on to make some asinine comment about poor people (sadly a common enough event in some circles) then what was it?  Publius chooses rather to allow the reader to fill in the blanks themselves.  Curiously if Publius disdains people who make sweeping generalizations about groups of people why does he/she choose to do exactly that about those in the moneyed class?  The person in the story may have gone on to make some profoundly stupid and ill advised comment for which they should be censured.  Based on the evidence given they might just as easily spoken about how the programs were making a profound positive change in the lives of  "poor people".  The choice of phrase might not be the best but surely it's nothing to be sneered at by us.  To expand that to a sweeping condemnation of all the donors to our local foundations is rhetoric of the lowest kind.

Beyond that Publius fails at an historical hurdle with the implication that somehow the idea that some donors like old artistic styles and types more than new is something novel.  Any student of Art will tell you that this is an ongoing and persistent problem.  That doesn't mean it's not annoying and difficult and even wrong.    All of us have an image of art including Publius.  We are comfortable with what is within that image and increasingly uncomfortable the farther we move away from it.  Part of the historic dance between donor and artist is education and enlightenment.  It's an awkward, tedious dance all too often but every generation before has done it.  Why should we expect to be spared?

What we are left with is a diatribe against a certain class of people that is made without any attempt at foundation or support.  It seems Publius would like the foundations to fork over the money and then go away.  In fact the one firm recommendation Publius makes is that local arts programs should simply go their own way without foundation funding.  Under those circumstances they would be able to do as they please.  Which seems to lie at the root of this piece.

I would be willing to bet that there are instances of micro-management by local sponsor organizations.  I would also bet that there have been times when local arts organizations have not made the best use of the funds available.  I would also wager that neither case happens as often as Publius would have us believe.  I base that on the swift reaction from some in the arts community to the original piece.

In the end I'm not clear what Publius hoped to achieve with this approach in the historic lineage we noted at the beginning .  Certainly those who have given money to the arts in the past will have something to consider the next time they are asked for their support.  Artists will have yet another hurdle to overcome in the already difficult process of funding their work. 

Finally allow me to note that I care not a whit who Publius is.  My thoughts here are not intended as a witch hunt (defined as a frantic persecution of perceived enemies).  Publius is not my enemy.  I have little use for poor logic and badly presented rhetoric however.  And less use for people who make the life of local artists and arts programs harder.

One group demeaned by sweeping generalization.  The other facing more difficulties rather than fewer.  My question for Publius is this - How then are you the "Friend of the People"?

Peace,
Jay Phillippi

View From the Phlipside Radio - RIP Ken Russell

My name is Jay Phillippi and I've spent my life in and around the media.  TV, radio, the movies and more.  I love them, and I hate them and I always have an opinion.  Call this the View from the Phlipside.

It’s become something of a tradition on this program to note the passing of interesting folks in the media.  I’m not sure we’ve ever mourned the passing of anyone more, well, interesting than movie director Ken Russell.

Russell was born in Southhampton in England to a shoe shop owner and his mentally ill wife.  Russell quickly found escape from his father’s anger and his mother’s illness at the movies.  By the end of the ‘50s he had earned himself a slot making TV programs for the BBC.  Russell had a fascination with musical composers and produced critically acclaimed programs about Strauss, Elgar and Debussy plus many others including one about dancer Isadora Duncan.  But he was also showing the flair for the outrageous that would mark his later movie career.  His movie about Strauss so outraged the composer’s family they withdrew all copyright support for any music in the film which essentially assures it will never be seen again until 2019 when the copyrights begin to expire.

And outrage was Russell’s stock in trade when he made the move into movies.  Starting with his signature movie, an adaptation of D.H. Lawrence’s “Women in Love” Russell went where no one else.  The movie includes a ground breaking nude wrestling scene between two male actors.  With no attempt to be coy about the nudity.  His movie vision of The Who’s “Tommy” rock musical is a perfect example of Russell’s over the top style.  Remember Ann-Margaret covered in baked beans?  That’s Ken Russell.  The movies varied widely in their reception by both critics and audiences.  Some where huge hits, some were virtually ignored.  Then you had Lisztomania which was a huge success in Russell’s native England and a huge bomb here in the States.

His later life was a series of outrageous movies (like the short “A Kitten for Hitler”  where Russell’s goal was to make a movie that had to be banned) and equally outrageous behavior like appearing on Celebrity Big Brother which he left after only a week after getting into a fight with another cast member who was more than 50 years younger than him.

Life was never boring.

Ken Russell was 84.

Call that the View From the Phlipside

Friday, December 2, 2011

Books List

Reading some longer stuff this week so didn't get as much in.  All worth a look.

Promissory Payback by Laurel Dewey is a solid if unremarkable mystery in the continuing saga of Denver Police detective Jane Perry.  Dewey shows herself to be a solid enough writer after an opening to the book that struck me as awkward and uneven.  She uses a quote from Ayn Rand (whom I dislike intensely) that is appropriate for the story and has great potential but never really gets a full exploration.  Even in novelette form she has the room to really give this story a little more depth.  It might have taken it from solid to exemplary.
The story itself in timely enough (a small time Ponzi scheme) and the characters are clear enough.  There's not a lot of "whodunit", my bet is you'll see the answer pretty quickly.  I'll give her this - there is a little bit of a twist in the ending so it wasn't completely obvious.
In Jane Perry I think Dewey has a solid character that can carry readers from story to story.  There's something in Perry's past that drives her forward that isn't explained in this story but sounds like a story her readers will look forward to exploring.  Dewey has the skill to make the experience an enjoyable one.
If you've never read anything by Laurel Dewey (and her writing credits include the Jane Perry stories, at least one Western and a couple books on plant medicine plus a boatload of other stuff) this will probably decide to keep you eyes open for her in the future.
Rating - ***

Bring Me the Head of Prince Charming - Roger Zelazny & Robert Sheckley  Nothing like bringing two of the best writers in the world of Science Fiction in the second half of the 20th century together and then giving them a really fun story to play with.  In this case it's re-telling of the Prince Charming story.  Except that the Prince and his beloved (not Sleeping Beauty this time, just the Napping Princess) are basically Frankenstein's monster types created by a demon named Azzie who is trying to win a contest at the turn of the first Millennium.   The Prince has to overcome his coward's heart and to be honest the Princess is a little on the whiny side.  And yes, it is great fun.  Sheckley was one of the great comic short story sci-fi writers and Zelazny was an incredible creative talent.  If you're looking for some fun, light reading this is a great choice.
Rating: ****

Haunted Destiny - Ellie James - Have to admit that this book surprised me.  I will sometimes take a risk on a book just based on the blurb.  Looking at the title I figured it was either romance based or Young Adult (YA).  The description said it was a mystery though and I took a shot.  Turns out the author has a solid pedigree as a romance novelist and this was her first YA foray.  Haunted Destiny is the first of a series called Midnight Dragonfly.   If this is any indication of what's to come it will be well worth you time to read.  This makes 3 books that I've read recently set in New Orleans.  I was there just a couple years ago and when James describes a certain part of Jackson Square she put me right back there again.  Solid characters, good writing, great story telling.  I really enjoyed this.
Rating: ****

Thursday, December 1, 2011

View From the Phlipside Radio - Small Business Media

My name is Jay Phillippi and I've spent my life in and around the media.  TV, radio, the movies and more.  I love them, and I hate them and I always have an opinion.  Call this the View from the Phlipside.

Over the Thanksgiving holiday, in the midst of all the Black Friday shopping madness, I came across something that I had never heard of before.  It was “Small Business Saturday”, a promotion to remind people to shop with their local smaller retailers during the hottest shopping days of the year.  I have to admit it was great to hear a campaign about shopping locally because the smaller retailers remain an important part of all our local economies.  Even better the campaign was aimed at a reasonable goal.  All they were asking you to do was make one of your purchases on that weekend with a local small business.  Pretty cool.

When I did a little research I discovered that the campaign is actually underwritten by the folks at American Express.  Which is both kind of cool and perhaps the tiniest bit ironic all at the same time.

Then I started to think about the changes in our economy brought on by changes in technology and the media.  It used to be that our local business people only had to worry about their competition down the road.  Today they are competing in a worldwide market.  And that means that small business people probably need to start thinking on a bigger scale.  The sound you just heard was small business people throughout our area sighing heavily thinking about one more problem on their plates and the inevitable extra costs they’ll have to cover.  Even if they know it’s true it’s not the kind of news they really want to hear.  So the challenge will be to think outside the box.  That may mean new challenges and roles for business associations like the Chamber of Commerce.  Or it may mean finding new ways to attract business like Domino Pizza’s app that turns pizza making into a game and then offers you the chance to actually order the pizza you make.  There are some real challenges for local businesses as they make their way through the maze of Twitter, Facebook and all the other media of the new age.  It will also be a great opportunity for local media specialists to help with those challenges.

Only one thing is certain.  A one day ad campaign, even one funded by a major corporation, isn’t going to be enough all by itself to help small businesses in the next couple of decades.

Call that the View From the Phlipside