On anonymous opinions

In the latest issue of the local alternative newspaper "The Chautauqua Region Word" (online edition HERE) there is an opinion piece (known as The Say.  Top of page 3) where the writer uses a pseudonym.  Given that the opinions expressed about the state of the local funding bodies for the arts are aggressive and confrontational it is not really surprising that the writer would have reservations about using his/her own name.  This is acknowledged in the author information at the end where it's stated:

This piece is anonymous because it is guaranteed there would be retaliation and, in fact,
anonymity probably won’t stop a witch hunt

Some people have taken exception to this anonymity as an unacceptable act.  Of course there is a long tradition of doing this when uncomfortable things need to be said or if there was real danger to the person placing those ideas in the public arena.  Kudos to the author here for showing a knowledge of history in choosing the name Publius.  It is drawn from the Roman Consul Publius Valerius Publicola.  The last part of the consul's name translates as "Friend of the People".  This Publius was one of the leaders who helped to found the Roman Republic.  It was in honor of that history that Alexander Hamilton, James Madison and John Jay chose it as their pseudonym as the authors of  "The Federalist" (more commonly known as The Federalist Papers).  While the choice is an appropriate historical nod I think our local Publius perhaps over reaches him/herself in comparing their situation with the historical predecessors.

Publius (Jamestown's, and the one I will be referring to henceforth) claims to have an extensive background in the non-profit sector and the arts.  I will stipulate their experience and note that I have nothing to compare in those spheres.  Yet I would bet that most of the readers of the original piece fall far closer to my level of experience than his/hers.  So let me examine the arguments from my own point of experience. Right off the bat I see a problem that will recur later in the piece.  Publius makes claims about the local foundations but never offers a foundation for those claims.  We must simply take his/her word that there is a sweeping movement of  "micromanagement and outright blackmail" or that there is:

"... a cabal of two or three people, networking behind ritzy doors, decides what is or isn’t worthwhile. "

For me there is a flavor of flinging things against the wall to see what sticks about this approach.  Granted that in the length of an opinion piece offering examples for everything isn't reasonable but certainly we might expect at least one.

Moving on we discover that Publius dislikes the concept of "consolidation" that has been put forward by some of the foundations.  Curiously Publius  later in the piece acknowledges that the program managers of the arts programs appreciate expert advice.  Might it not be that the Executive Directors may simply be offering exactly that?  (Publius falls into the trap of using insider jargon at this point when he/she refers to EDs rather than Executive Directors. At least it is to be assumed that is what is being referred to here and not the scourge of middle aged men.)  The foundations should be taking a larger view of the local scene it seems to me.  In that larger view they may see  overlap and repetition in programs.  There are only so many dollars available so decisions must be made.  Two small programs may not offer the most effective approach to the intended goals and audiences where one larger one might.  In such a case consolidation would be the advisable course, would it not?

Collusion is the next charge.  Publius notes that he/she is on slightly difficult terrain with this argument.  In a small community it is not only likely but needful that the local Executive Directors spend some time consulting with one another.  Publius seems to leap to the conclusion that since they (apparently) are not behaving in the manner that he/she would have them behave "consultation" has become "collusion".  Again an argument without support.

It is at this point that Publius takes the most unfortunate line in the presentation.  Suddenly the people who serve on the boards of these foundations or who donate to them find themselves dismissed as "Country Club" members and "...rich white people..." with no understanding of art unless it is the art of the past.  Publius offers a brief account of a personal experience of such people.  I will allow Publius to speak for him/herself here:

"A while ago I was at an event that was a big fundraiser for a local art group. One of the wealthy people invited launched the wondrous bon mot, to a cocktail party-sized room, commenting on “poor people.”  There was a genteel laughter to it all, layered with
elitism and privilege."

The problem here is this - what precisely was said about "poor people"?  Does Publius not believe that poor people exist?  Or that they should simply not be referred to in that manner?  If the person went on to make some asinine comment about poor people (sadly a common enough event in some circles) then what was it?  Publius chooses rather to allow the reader to fill in the blanks themselves.  Curiously if Publius disdains people who make sweeping generalizations about groups of people why does he/she choose to do exactly that about those in the moneyed class?  The person in the story may have gone on to make some profoundly stupid and ill advised comment for which they should be censured.  Based on the evidence given they might just as easily spoken about how the programs were making a profound positive change in the lives of  "poor people".  The choice of phrase might not be the best but surely it's nothing to be sneered at by us.  To expand that to a sweeping condemnation of all the donors to our local foundations is rhetoric of the lowest kind.

Beyond that Publius fails at an historical hurdle with the implication that somehow the idea that some donors like old artistic styles and types more than new is something novel.  Any student of Art will tell you that this is an ongoing and persistent problem.  That doesn't mean it's not annoying and difficult and even wrong.    All of us have an image of art including Publius.  We are comfortable with what is within that image and increasingly uncomfortable the farther we move away from it.  Part of the historic dance between donor and artist is education and enlightenment.  It's an awkward, tedious dance all too often but every generation before has done it.  Why should we expect to be spared?

What we are left with is a diatribe against a certain class of people that is made without any attempt at foundation or support.  It seems Publius would like the foundations to fork over the money and then go away.  In fact the one firm recommendation Publius makes is that local arts programs should simply go their own way without foundation funding.  Under those circumstances they would be able to do as they please.  Which seems to lie at the root of this piece.

I would be willing to bet that there are instances of micro-management by local sponsor organizations.  I would also bet that there have been times when local arts organizations have not made the best use of the funds available.  I would also wager that neither case happens as often as Publius would have us believe.  I base that on the swift reaction from some in the arts community to the original piece.

In the end I'm not clear what Publius hoped to achieve with this approach in the historic lineage we noted at the beginning .  Certainly those who have given money to the arts in the past will have something to consider the next time they are asked for their support.  Artists will have yet another hurdle to overcome in the already difficult process of funding their work. 

Finally allow me to note that I care not a whit who Publius is.  My thoughts here are not intended as a witch hunt (defined as a frantic persecution of perceived enemies).  Publius is not my enemy.  I have little use for poor logic and badly presented rhetoric however.  And less use for people who make the life of local artists and arts programs harder.

One group demeaned by sweeping generalization.  The other facing more difficulties rather than fewer.  My question for Publius is this - How then are you the "Friend of the People"?

Peace,
Jay Phillippi

On getting blasted for an opinion piece

Last week I wrote/broadcast about a couple new comic creations that I didn't much like in a post called "Cartoons "
I was away for most of the rest of the week so I only just caught up with the comments that landed on my blog.

Holy smokes people!  I didn't think anyone payed that much attention to me!

Let me first say that I find this tiny little firestorm amusing.  Let me also say that the most reasonable and good humored response actually came Liz Laribee a writer for Jersey Circus.  She took my comments for what they were, questioned a couple of assumptions and phrase choices and on the whole gave me a whole boatload of things to think about.  You can check out her comments HERE  They are well worth reading.

I would note that I am prone to hyperbole to make a point.  Thus "pantheon of literature" was not meant literally.  Neither Jersey Circus nor this blog aim to attain whatever might be meant by that phrase.  I use (or was attempting to use) polar opposites to make a point.  Jersey Shore and literature are polar opposites.  At the same time "anti-intellectual thuggery", a phrase which it pleases me that Liz found amusing, was probably over the top.  I just really don't like the final product of what Liz and her colleagues produced.

The Kanye/New Yorker memes I just don't find amusing.  Every one I look at falls flat.  'Nuff said.

So what bothers me about Jersey Circus? (Check it out yourself HERE and decide for yourself.  YMMV).  To start with I don't like Jersey Shore or the people on it.  Everything I have seen and heard about them is repulsive (to me).  I've never found vulgarity as a lifestyle particularly appealing.  And that's what I see and hear from those folks.  I grew up reading Family Circus and have a soft spot for it in my heart.  Not a must read but if its there I check it out.  It is simple and naive (in the best sense of that word) and innocent and a reminder of a different time and place.  The concept of bringing the two together has a valid basis.  As a former Theater major I was taught Goethe's three rules of Criticism - what was the artist trying to do, did they succeed and was it worth doing?

What were they trying to do - I can hazard a guess that they were going for social commentary.
Did they succeed - In the end I'd have to say they did.  Look at the discussion that's popped up about it!
Was it worth doing - Here is where we part company.  The Jersey Circus mission statement ends with this:

We think you'll agree that something important is being done here.

And I'm afraid I don't.  My impression is one of...sigh, this makes me feel bad because it sounds like I'm upset or angry or whatever with Liz and Co., which I'm not really.  So I will attempt to disagree without being disagreeable.  OK?  This smacks of pre-teens giggling when they get their four year old cousin to saying dirty words.  That's what I hear every time I read one of the cartoons.  For me that is a violation of innocence.  And as a youth minister in the Episcopal church that's not going to sit well with me.  It is from that impression that my claims of smugness arise.  It is that that I find perverse.  And yes, I find people getting amusement from that kind of thing perverse.  Again, YMMV.  I tend to be hyper-protective of the younger brothers and sisters.  Makes me a pretty good youth minister, maybe it makes me a less good media critic.  I'm not so sure.

But Liz can clearly state what she and her friends are trying to do and I understand that and appreciate it.  To the point where I'm willing to go back and look again.

Now as to some of the commenters.  I thought I'd try and respond to some of them.  My blog first.

Anonymous #1 - claims I missed the point.  Could be.  You think it's funny.  I don't.  Humor is subjective.  How is your world view better than mine?  I put my name on mine.

MP - ever heard of satire?  Yep.  Big fan.  Didn't seem to make it for me.  Satire is the most difficult and subjective of all forms of humor/commentary.  Lots of people try and fail.

Anonymous #2 - oooh sarcasm.  I'm cut to the quick.  Care to actually offer something intelligent to the conversation or is snark the best you've got?  I know which I'll bet on.

Liz - no hard feelings at all, :)

boojum - Had to go back several times to figure out what you're talking about.  I think you're counting my intro as the first paragraph, yes?  In that case go back and read the "second" paragraph again yourself.  I "get" mash ups, I even acknowledge that I like some of them.  I just don't "get" these.  As a fellow father, writer, brother in Christ, et cetera I find very little in the way of "loving correction" here.  Sorry that I make you feel bad but I think that says more about you than me.  Apparently your view of how a father, writer, brother in Christ etc should think gets disgruntled when you find that it's not universally held.

Anonymous #3 - I actually like this simple comment.  Could be taken a variety of ways and as being directed at a variety of people in the conversation.  Even if aimed at me, bravo!

Young Structural - yes, you probably are too serious.  I can also tend that way.  I've explained above why I reacted the way I did.  For the record I do this commentary show because I think people take all of the media too damn seriously.  I'm also not sure that the Jersey Circus folks will take kindly to your assertion that their work is of so little consequence to be unworthy of any level of analysis.  And if you think my comment rises to the level of either a doctoral thesis or a novel (it's only around 400 words for pete's sake!) then you've precious little experience with either.

Anonymous #4 - Yep, it's getting toasty in here! (I have a hunch I know who this person is.  Just a hunch)

From the Jersey Circus comments

Someone named "ninjapirateben" would look down his nose at me because I have a soft spot for Family Circus.  Really?  Not up to your intellectual standards I presume?


Fan and Rob (two separate comments) - both make interesting points.

smokeyprimrose  and thingsonthewestcoast (two comments) - fans of Liz's.  Must be good people.

alphabet - "stuck up" and "prudey"?  Really?  Given that you know nothing about me that's a rather amazing comment on my person.  Obviously I'm rather taken with my own opinions otherwise why would I do a public commentary?  By the way I think you've missed the mark widely on your assessment of my personality.

heydave - oops seems dave doesn't like the description I offer of myself.  Dave - two words.  Too bad.  In attempting to help people understand who I am I offer a very short listing of some of the roles I've fulfilled in my life.  The ways that I interact with the other human beings in my sphere.  Let me add to my list - person who isn't impressed by folks who spew pointless obscenity and name call as if they were still stuck in the 7th grade.  My experience of people like you is that you wouldn't have the stones to say any of that to my face.  So STFU yourself.

Dream Thiever - good advice.  I shall try and follow it.

Joe in Philly - not sure why my title bothers you.  Sure it's a pun.  A play on an old school record term (the side of the single record that didn't have the hit tune on it was called a B side or the flipside) and a play on my last name.  Folks in my family have been called Flip for a couple generations.  I tweaked it for the name of my radio program almost 30 years ago.  I left radio a decade ago then returned a couple years later in a different venue and form (public radio and commentary) but kept the name in slightly altered form for the recognition factor and marketability.  And given that the 8 comments I got on the original post is one of my all time highs I'm not so sure we're not in the same ball park.

Phew!  In the end I will simply remind you that commentary is just a form of opinion.  My opinions are based on my education both formal and informal, my years of being a media consumer and a student of the media and my experience in the media.  That makes me better qualified than some, less than others.  Feel free to agree or disagree.  But it's opinion, whether mine or yours.  We are each entitled to our own.

Now if you'll excuse me I have a new weeks worth of scripts to write.

Peace